Starting from the Tribe Dragon Revolution
By Nasrul Azwar
Rulers, politicians, and businessmen like dogs fighting over a bone. "Bones" is the Mount Selako very rich with gold, diamond, copper and others. Bukit Seloka who so coveted that investors located in the township Naga tribe who are at the mercy of government Astinam. Sri Ratu, Astinam state supreme leader, will dominate the hill and make the mining areas on the pretext of development. The servants of Her Majesty, ever since the prime minister to the minister, other ministers, and the House of Representatives (DPR) Astinam state-licker who competed to be "polite" and seduce people with various reasons for the success of the Dragon Tribe mine clearing program. Ethnic groups residing in Bukit Naga Seloka did not give up their settlements made mining town. Ethnic groups under the leadership of Naga-chiefs-Abisavam as resistance and struggle for. Struggle, militancy, and loyalty to the Naga tribe of their fathers, who very carefully chose the place centuries ago, making the wrath of Her Majesty. Naga tribes have been considered subversive action and dissent. Moreover, after the struggle against the Tribe Dragon Queen keotoriterianisme published internationally by Carlos, a journalist who side with the struggle of the Dragon Tribe, received a response from the international institutions.
That's the core story of the manuscript, Ethnic Naga Struggle Rendra playwright's work, which was staged at the Old Theatre Track Closed Theater Padang in West Sumatra Cultural Park on 10-11 June 2004 and then, directed by Rizal Tanjung. The story that flows like finding a factual justification. Theater event that lasted two days are West Sumatra, Indonesia as well as the present: full rottenness, greed, and savagery officials, politicians, and businessmen. People needed officials and politicians when it comes permanence in power. In addition, the "go to hell".
Collaboration claim forms with dance, music, art, and art of Minangkabau tradition, as a spectacle quite interesting, communicative, and relevantif. However, matters relating to the theatrical elements and technical, such as: motion, kustum, make-up, control of dimensions of space, time, dramaturgy, and trend plots, it still gives the impression not so neat. Mastery of time and space dimensions, for example, overlap seen on stage. Replacement of the music scene with the interval, no significant effects that have been transferred to the theater events other events. Indeed, such risks often escape the attention of the director, let alone garapannya incorporate various other branches of art on stage.
Ethnic Naga struggle rather than a story set in Minangkabau, and is also not written by an author who originated from the Minangkabau cultural background. However, courage Rizal Tanjung, who is almost 15 years did not touch the theater, adapt with the background of the Minangkabau culture, of course need to be respected. In addition, choreographers include Deslenda and Ery Mefri in settlement movement, artists Nazar Ismail on artistic, and Group Pentassakral Alda Wimar in her music, she's not a simple job for packaging into the theater. As a director, Rizal Tanjung seems able to read the strengths and advantages of each artist's expression of different media, although some things, such as disclosed above, is still impressed with slick untapped.
Referential Meaning
Ethnic Struggle theater watching the Dragon like are invited to watch directly about foul temperament and mentality of corruption of state officials, law enforcement/bureaucrats and politicians in the House of Representatives (Regional), which is still ongoing in the country, including in West Sumatra.
Dragon Tribe staging Struggle in Padang as if to find momentum. Why not? Performed in congregation corruption legislators West Sumatra province, Padang Parliament, Parliament Payakumbuh, and others may follow the facts and realities that are difficult denied Minangkabau society. He became a black history in this area. Very embarrassing.
Initially, Old Track Struggle Theater will perform in the pages of this Naga Tribe of Regional Representative Office in West Sumatra, but, due to technical reasons that could not be disiasati, the show performed at the Cultural Park Theatre Closed West Sumatra, while still inviting members of the legislature are elected in general election 5 April 2004 legislative ago and also still active. However, two days of performances, none were present.
Outside the context of the creative process of artists, politicians, bureaucrats/law enforcement, state officials outraged race itself. "The creative process" also took place in the building stages of the people, offices, and departments. Residents present a "theater" for themselves. But no people in it. There is only greed, greed, lies, and dirty politics, like dogs fighting over a bone. In this position, Ethnic Naga struggle has given the most open explanation about such tempered man.
Authoritarian queen (played Deslenda), the hypocrisy of the Prime Minister (Ery Mefri), Minister Pertambagan (Syarifuddin Arifin), and Chairman of the Parliament (Saparman) is a character who was identified as an ancient human obsession that always ask for satisfaction of passion spaces "animalistic" when calyx power in his hands. On the pretext "for the sake of development", the animal passions are operated by producing various laws, paraturan, and all the people claimed to have been approved. Unilateral legal product that is rolled kehadapan Dragon Tribe.
Ethnic Groups The Dragon was forced to move from her village by reason of distribution of population, but they do not want to accept the policy of Her Majesty. The selected roads are against the rulers of authoritarian and arbitrary. Assisted by Carlos (Ode Barta Ananda)-a-journalist (this Carlos character reminds me of Sidney Jones, International Crisis Group representatives, who work permits and visas can not be extended, after the Head of State Intelligence Agency provides information peculiar to the Parliament and government officials), together with their Naga Tribe refused to obey the Queen, who finally had a case similar Caslos Sidney Jones. He was expelled from the country Astinam, while Sidney Jones was expelled from Indonesia.
In this position, staging Struggle Naga Tribe in the circulation of non-artistic-aesthetic, found a close relationship with social context, politics, and culture in Indonesia to date. In such a reception and interconnection, the process of cultivating theater performed Theater Old Track, clearly has a certain achievement orientation and politically and culturally, of course, despite his artistic achievement.
Corruption in mutual assistance by members of the legislature in West Sumatra was a disgrace and insult to such embarrassing and very difficult to accept people of West Sumatra (Minangkabau). Naga tribe is a minority who try to make sense through its struggle against the rulers and politicians who are corrupt, ignorant, and dirty Astinam state in the body. Artists, as well as minority groups, apparently trying to provide responsive spaces such conditions. Also, only a group of people are facing corruption-yack representatives in West Sumatra. Finally, the revolution was started from keompok minorities: the Naga Tribe, and successfully .*
No comments:
Post a Comment